Jrnl Entry No. 4.6.2001

I remember following in the footsteps of my older cousin Romeo Wrangle. I decided in the 11^th grade that I wanted to be a mathematician. He was attending University of Akron at that time majoring in the subject. It sounded like a good subject that would provide me with a nice job and well-being in life. In order to major in math, I was told I had to take physics so I signed up for the class as my first step toward the journey of becoming a mathematician. When I got to physics class, I had taken algebra, geometry, and was at the time taking algebra II.

In physics class we had to do these conversions of like inches to meters, miles to kilometers, etc. I had never seen or heard of such math and I was completely not getting it at all. I had nowhere to turn for help, the teacher who I had before as a science teacher was not a very enthusiastic person. He was dry I guess you could say. I tried asking him for help, but he was no help. I came into class early a couple of times and he explained it to me, but I just couldn’t grasp it. I had decided that I would drop the class. I remember one day crying in my room after struggling with the homework, thinking to myself that I would not be anything in life because I couldn’t pass this course. I didn’t know of anything else to be but what Romeo was gonna be. I guess you can say Romeo was my big brother, idle, etc. He got good grades in school; he had nice looking girlfriends; he had friends in school and was an average cool kid. Personally I could say that if it hadn’t been for his influence, I don’t know where I’d be today. No, I actually can’t say that because I wasn’t on to a bad road before we really started hanging out a lot. I think that he was just that person I needed in my life to look up to. And looking at his image and what he was doing in life helped me stay up and focused as far as my life went.

While I had alright clothing to wear and the latest named brand tennis shoes, one thing we could never afford which I wanted so bad was a brand new car. I also wanted to live in a house and not in the projects. But my mom could never afford any of this.

I had friends, the Lindseys, who lived in a nice home; had a brand new car, nice clothes, and their other friends had the same. Come to think about it, I don’t know how I fit in with them; and I guess I didn’t considering how I used to beg Long to come and pick me up to go to basketball games with him and his brother Aderale and sister Alice. No, I don’t think it was that I didn’t fit it because I wasn’t a total scrub or nothing like that, but it was just they had so many other friends that I was just a pebble in the stone yard.

See Long and them grew up from birth until about age seven or eight or nine, in the Highland Holmes. When their dad, Mr. Frank died, they moved to the northwest side of town. They were the first kids I remember playing with and being friends with. My mom and I moved to California when I was five years old the summer before my birthday. By time I came back to town to stay three years later, they had moved to their new neighborhood. It wasn’t until ninth grade that I got back in contact with them. Long who had flunked a grade was in the tenth grade, 16, and was driving a brand new red black and grey Chevy Blazer with a spoiler kit on it and a booming sound system, and this car/truck shot his and his brother and sister’s popularity through the roof.

These were the people I wanted to be around for one, because they were so popular and for two, because they were my first friends. So I forced my way into the crew. I’d go over their house from time to time and chill. In the summer when I got my Honda Elite 80 scooter back out because I had my license then, everybody was on my nuts wanting to ride it so I guess that gained me some acceptance into the crew. I didn’t let them ride much though. The crew was Adrock, Hardy, Long, Aderale, Sachel Harville, Wicky Dejean; they all probably rode my scooter once each. One crew member, the oldest of the bunch was Leon Bonnard. He was living with the Lindsey’s for some reason or another. He wasn’t so accepting of me coming around. He didn’t know why I came around. I guess he seen me as the little bug-a-boo trying to hang with the most popular black kids on the west side of town, and he even said as much to me a few times. But one thing about me was that if people cracked jokes on me or said insulting things, it never really bothered me much. I guess I was always in tune with myself and people cracking on me or like Leon, who would ask me sometimes when I came over, “why you come over here?” I don’t know if he was playing or not but he didn’t bother me. One thing in my mind I had over him and all the other kids who hung around the Lindsey’s was that I knew Mr. Frank. I’d seen Mr. Frank in the flesh; he and Mrs. Janine together as husband and wife and family, ate dinner with them, went to the Hot Dog Shoppe together with them. And I was a friend of the Lindsey’s before Leon ever knew who the Lindsey’s were and before the Lindsey’s knew who he was. I remember Aderale coming outside with whepps all on his arms because Mr. Frank had whipped his ass the night before. Now none of their other friends could share this story with Aderale and Long and Alice. So Leon, while you were right about me wanting to be down because y’all was the most popular and all the girls liked y’all; you really had no clue why I stayed coming around. And reminiscing back on the times, Leon and I actually became good friends as well and I used to visit him at his dad’s house when he moved back to Ohio from an out of state stint. But on to the subject at hand; Romeo lived in a house, his mom worked at General Motors and his dad and she owned a little soul food restaurant called Rosa and Parks.

Wicky Dejean who I knew through church, when he was sixteen, his father bought him a brand new Buick Riviera. He wore nice clothes and they lived in a nice home. I tried to make friends with him also at one point in time but that didn’t really happen. I just always wanted to be around these type of people. My friends I had grew up with in the projects like Jay Claude, they had went on to sell drugs and were smoking weed, etc. Those weren’t my things. So being around these type of people I guess fueled my drive to have a decent life. I was heavy off into Hip Hop at the time also; BDP, PUBLIC ENEMY, BIG DADDY KANE, ERIC B & RAKIM, BIZ, MARLEY MARL, NWA, STEADY B, MC LYTE, KOOL G. RAP & POLO, SALT & PEPA, QUEEN LATIFAH, SWEET TEE, DOUG E FRESH, JAZ, 3 X DOPE. These were all like my favorite groups at the time and I was dabbling into writing rhymes myself.

By time I got to 12^th grade, I made up my mind that I was going to New York to live to get some of the Hip Hop experience and to become a rapper while attending college. As I told before, my guidance-counselor talked me out of that. I went to college on an academic scholarship that he got me. I can thank Romeo for that also because I followed in his footsteps of making the honor roll from like the middle of ninth grade to the end of the eleventh. My senior year, forget about it, my grades dropped but not below a 2.5 average. I went to college and pledged Alpha Phi Alpha following in Romeo’s footsteps once again. He had pledged two years before me at University of Akron.

After my freshman year in college I visited N.Y. and decided from that moment on that I wanted to live in NYC. From my visits there, I discovered that it would be hard to find a woman there (I’d speak to young ladies there and they’d just laugh in my face) so while in college I started searching for my love whom I could take to New York with me when I graduated. I told myself at that time that I wanted a woman who wanted something out of life. My eleventh grade history teacher Mr. Snyder hipped us on to the fact that by the time we grew up, we wouldn’t be able to purchase a house (he was right, at least to date for myself) because they simply would be too damn expensive to afford by time we graduated college. He said we were gonna have to live in apartments or it was gonna take two to live comfortably in a nice house, have a nice car and 2.5 kids.

So in college my search began for my love. All I wanted was O.K. looks and someone willing to work toward a better life which was what I was doing. Here is what I ran into. The only girl I ever really liked in college was Lynette Treason, she was beautiful (still is to this day with husband and children) but she had a boyfriend. I ran into Rebecca, a white girl whom I’d messed with my senior year in high school. She provided me with great sex and finance during my college years. Rebecca, when I think about it, if I loved her, we would have made a great team. She’s a lawyer and I’m an accountant. She’s bringing home 50 to 70K in Ohio, so in New York that would be about 80 to 90K. I’m, of course, an underpaid black man making 36K when I should be making 45 to 50K. But I didn’t love her and I don’t love her so that is that. I ran into Lauren who had three kids, a bangin’ body, and good pussy that I could bust nuts in because she had her tubes tied. These were my two girlfriends for like two or three years.

My mom and grand mom never told me to be prejudice against women with kids, which is why I didn’t run the hell away from Lauren when she told me over the phone that she had three kids when I was – years old and she was –. I had never heard of that before. I grew to like Lauren a lot; it was never really love, it was lust/love. She started attending school while we were going together in an effort to try and better her life, but she couldn’t do it. I was stuck with Lauren thinking how I would be able to move her and her kids to New York with me when I graduated college. I had no answer. We eventually broke up due to other factors, but we ended up messing around off and on until last year. We even discussed marriage, but three kids, a man and a woman in New York City on like 50K wasn’t happening, and other factors also brought the situation to a head.

There was also this other girl I loved at first sight who attended Kent State University named Jackie. I’d see her when I’d be there at Alpha parties. She talked to me shyly and distant every time I seen her. I even got her number and I think talked to her once on the phone, but never nothing else. There was also Mirabelle who I loved at first sight, but she never gave me the time of day because I wasn’t a drug dealer and had no money. I see her from time to time now in Warren. She still looks good to me but she was messing around with my friend Flynn last time I checked.

The summer before my last quarter of college and being broken up with Rebecca and Lauren, I ran into Elizabeth. I liked Elizabeth and spent the whole summer with her. She was depressed from going through a divorce and being a single mom I guess since she had grown up with her mom and dad and brother in a nice home on the outskirts of our little city. We had a pretty boring summer together and our relationship ended in the fall.

I hooked up with Rhonda who was free because her boyfriend was in jail. I really liked Rhonda, but she wasn’t too enthusiastic about us since we both lived with our parents and she couldn’t figure out how we would spend quality time together so I broke it off with her, our little thing. I then got hooked up with Victoria and she was cool in the beginning. She got pregnant after three months of us messing around and during her pregnancy I discovered little personality differences between us so we broke up. I had graduated from college by this time.

Dumb ass me, wait until I graduate from college to get a girl pregnant who was not my wife and who decided on keeping the baby, and I didn’t pressure her about her decision, I just went along with it. We broke up, we got back together, and then we broke up again. If she would have been a little bit more understanding about her social and financial situation, and been willing to move to New York with me, we probably would still be together. She made it clear to me that New York was out of the question, especially with a child. Her social and financial situation was that she didn’t have a college degree, a job or money, but yet she wasn’t trying to make this better by doing a simple thing like taking a little job to make her situation better. Her pride wouldn’t let her take a job other than an office job. And in our town in Ohio, if you were black and knew nobody, even if you had a degree, you wouldn’t obtain an office job. Hell, I couldn’t even get one after I graduated college. But that, in a nut shell sums up us.

After her, I hooked up with Sausha. Sausha was also free because the father of her three children was in jail. She wanted to attend college to make a better life for herself but the obstacles of the kids and not being prepared academically for college kept leaving her short. I liked Sausha because she was easy going. She was in a worse situation than Victoria, but she would take a job from time to time to make her situation a little better, to get her kids some school clothes, etc. I thought about moving Sausha to NYC with me, but the three kids, and her not having any skill to obtain a good paying job, and also her burning desire to get through college held that from happening. We broke up finally last year. She claimed she couldn’t handle the long distance relationship and that she wanted to stay in Warren because it would be easier for her to go to school, etc. I probably would have brought her to NYC if she wouldn’t have decided not to come the last time I asked her.

So really to my luck, I don’t have three of someone else’s kids to worry about feeding, which when I think about it, those were ridiculous ideas, which would have ended in disaster. So through my searches, all I found was women who had kids and women who didn’t want to or couldn’t push to achieve their goals to come along with me to NYC because wasn’t no stopping me getting here. I was comin’ no matter what. So now I’m here, and just like I figured, it is virtually impossible to find a woman here or at least what I am looking for. After those four or five women in my past, I’m looking for a career job woman, with one kid or less, with car, own apartment, good looks, knows how to dress, good sex, and good companionship. I probably won’t find all that, but right now, I ain’t acceptin’ no less. I’ve accepted less all my life as far as the women I’ve been involved with. I got all of the above that I am looking for in a woman and I am lookin’ for someone of equal or better stature.

I’ve met a couple of friends here who I complain to that I ain’t got nobody and they say they can hook me up with some pussy. But see, pussy was my main downfall in the past. I was with Lauren two years steady for pussy. I was with Rebecca three years for some pussy. Don’t get me wrong, while I liked each of these women to some degree other than sex, the bottom line of what they really had to offer me was pussy. I don’t even want to fuck a woman unless she has some of the criteria mentioned up above that I am looking for.

And that is why I’m livin’ like I’m livin’. See cause if I mess with a girl that I really don’t like and we’re fucking and messing around and dating, I’ll start being with her and getting used to her. Like my friend Burton says, you get comfortable with it and stay in the situation blocking yourself from finding what you really want. I’ve done that for seven years of my life. It’s time out for that shit. And I’ve always knew the kind of woman I wanted. I’d see them all the time while I was on frat trips in DC, Atlanta, and even just hanging out in Cleveland. I’d even talk to them. But I’d always use the excuse of a long distance phone bill for not asking for their number. Or they would tell me they weren’t interested or that they had boyfriends. Or even at some points, I’d be so comfortable with Lauren, Rebecca and Sausha that I’d just not talk to them at all, saying to myself, “I’m making my thang work with them so I ain’t gonna bother with this and break they heart.”

My drive to do better and surround myself around those who had more than I had has gotten me everything I wanted: a college education, a new car, nice clothes. It has gotten me everything but a better woman and a house of my own. Well the drive for a better woman is on now. I have a female room-mate who I could probably have sex with and be going out with since she complains that she is so miserable. She is sexy, wears thong underwear, not that cute in the face but that’s o.k. I won’t make an advance or touch her or even think about her like that because she doesn’t have the criteria I’m lookin’ for. This hard bargaining has me womanless and pussyless. But in the end, it’s got to pay off. I’m strivin’ for better. The story of my life. 2019 IT HAS NOT GOTTEN BETTER!

HOW WOULD YOU CHARACTERIZE THE MAIN LIFE EVENTS (PARENTS, MONEY, FRIENDS, GIRLFRIENDS, HEROES, IDLES, MENTORS, DREAMS) THAT GOT YOU TO THIS POINT IN YOUR LIFE?

Jrnl Entry No. 1.13.2001

HIP HOP, I am so frustrated with you right now and direction you have taken for a good cause, but in the process, you have destroyed the essence and rawness of the music that once lived through Big Daddy Kane, Kool G Rap, KRSONE, Rakim. The cause which you have pursued is money, and money is being made, by god, it is being made by the millions. records are selling double platinum, quadruple platinum, but something is definitely lacking for us old Public Enemy lovers. One, the lyrics are sagging with laziness all over each new release of an album battling for a top spot on the charts.

MCs are making shameful quotes such as “I don’t write my rhymes down. I just make up the song in the sound booth to the beat as I go.” Jay Z, I can tell you did that all through 1999 and 2000 because that’s when I started to get a little tired of your shit. I was so tired that I didn’t purchase the 2000 album or the 2001 album. You went from one of my top MCs with the brilliant flows and choice of words on your first album, “Reasonable Doubt”. “You coppin’ me like, white crystal / I gross the most at the end of the fiscal year than these niggaz could wish to.”; to being of the worst MC on my list with “In My Life Time Vol. 4.” The MCs on your label follow the same. When I heard Memphis Bleek onReasonable Doubt, “Coming of Age” I was an instant fan. When I heard “Memph Bleek Is” I was an instant hater. I didn’t hear that album nor the new one for 2001. Lyrically you all watered down your flow. Beanie Sigel came into the game like that so I was never impressed by him. And what was on your mind when you even thought Amil could hold her own without you on a solo album?

But of course you don’t give a damn about me and my opinion, who was once of the opinion that “this guy rapping with Jaz on “Originators” is wicked.” Jay ripped ”Can I Get Open” on the Original Flava album and a few other songs. Reasonable Doubt was one of my favorite albums that year to come out. But this means nothing because all those projects sold less in total compared to what that garbage album with ”Big Pimpin” on it. But you got to know and in case you don’t, let me tell you that when you lose a true fan who was there from the beginning starting with Hawaiian Sophie even though you didn’t rhyme on that, you’ve lost everything and it’s gonna hit you hard one day. (I read this 10 years later. Jay Z was one of the tope selling, top grossing PAID MCs. LoL)

Hip Hop right now is about the very thing that MCs used to despise, commercialism. Whereas we all used to be as one, there are now two audiences. The industry shows no love for the underground. The underground is really underground now, with the only way to get a record out is to put it out yourself, and hope by some major miracle that it gets heard. Back in the 90s, at least niggaz could get record deals: Black Moon, Heltah Skeltah, Smif & Wesson, Artifacts, Bush Babies, Madd Skillz. Even Notorious B.I.G. and Jay Z’s first albums could be considered underground albums that just blew the fuck up because they deserved to. That’s why you stopped rapping Pace, whether you know it or not. Back in the early 90s, that 5 song EP I got of yours would have made a little noise if on a major label like Elecktra. But in the late 90s to 2000, that shit will create a buzz, but it will be heard by very few. So it’s either we become Jay Zs and Puffys or we die. I hate to say it, but contrary to DJ Premier’s words on Gangstarr’s last album “Moment of Truth”, the roaches in the underground are dying, at least in America.

This is what I wrote to my frat brother who is a nice MC by my standards, who also won’t let me do a beat on his upcoming independent release album. Fuck you for that Stehen. I ain’t asking no more to do a beat for you. You know I make beats so if you want some, you’ll ask for some and actually get them recorded. If not, fuck you again! I also sent this message to one of Stephen’s producers named Pace Maker. He is a cool cat who used to rhyme, but I think the pressures of commercialism and knowing that MCs such as himself have little chance for success, stopped him from wanting to be an MC. He begs to differ, and truthfully, only he knows, I’m just guessing.

Pace Maker: Like Premo said underground hip hop will never die. It might not be accepted in the mainstream, but quality music will always be made. I stopped rhyming because I felt my skills were outdated and I felt I had nothing else to say. You got to understand also that you don’t have to be on a major label to sell underground hip hop music. You could sell 30,000 copies of a record put it on your own and make $500,000! You wouldn’t make that much if you went platinum of a major label.

The kind of music we make would be embraced better overseas. That’s why we’re putting together an overseas tour and an EP release for The Phat Rapper. So far he has about 15 new joints recorded. Shits gon’ be that heat! Keep ya ears and eyes open.

This is me and Pace going back and forth on the subject. We have these spats sometimes with no one really being the winner.

Me: Yeah but besides the money, MCs want recognition also. Who wants to rhyme if nobody is hearing you? And all mutha fuckas is hearin’ now days in America is the bullshit rhymes Jay Z is spittin over mostly bullshit tracks. I’m just sayin that the underground had a voice that wasn’t so hard to hear back then; now, if there ain’t a Fatbeats recod store in ya town, you shit out of luck. And you worried about what you sayin, just listen to Ghostface. 85% of the time, he ain’t sayin’ shit and he knows that.

Pace Maker: You got a point about the Fat Beats situation, but if we can do what we love to do for a living and live a comfortable life off of selling 30,000 copies that’s love! Unlike Ghost (wit his dumb ass), I truly consider myself a poet, so I made sure everything I said had meaning and made sense. Just cause he say dumb shit and sell records (yeah he got my money too, but never again) don’t justify it as being ok to do. You right it ain’t all about money. But life is about finding yo niche and doing what you love to do for a living, so you’ll never feel like you’re going to work. Making $500,000 off being heard from 30,000 fans is enough exposure for me. I’m sure Phat (Stephen) feels the same way. Ask him.

Me: You’re right. Maybe I better start rethinkin’ my strategy in this music shit. About Ghost, I think his style is fly. The more I listen, the less is makes sense, so it never gets boring.

But I guess this is just a phase that all music goes through. I’m currently watching this movie about Jazz that is showcasing all the greats: Jelly Roll Morton, Sidney Bechet, Louis Armstrong, Bessie Smith, Duke Ellington, Benny Goodman, Chick Webb etc. It is talking about jazz and how it basically started in New Orleans and spread to Chicago then to New York which became the mecca. It spoke of how jazz was becoming too commercial in the 1930s during the depression years. Benny Goodman was considered the King of Swing in those days because the white people just latched on to him, even though Duke Elliington was doing swing three years earlier before Benny hit the scene.

Benny Goodman’s band went into a challenge with Chick Webb at the Savoy to see who really was the king of swing and Chick Webb and his band ate Benny and them alive and bowing down. It’s like what’s goin’ on in Hip Hop at this very moment in time with Eminem. He is selling more records than any solo artist ever has in Hip Hop history. He is not considered the King of Hip Hop; for there are and were too many great MCs for him to hold that title. But he does get respect as an MC who raps his ass off, I must say so, and in a battle against the best he could hold his own.

Benny did Jam sessions with other less fortunate artist than himself, and he never bragged about his position in Jazz, he just simply played good music and was respected by most his peers as a good musician. Duke Ellington never changed his sound to become commercial. He stuck to what he loved and he still came out of it a legend.

This is an eye opener to me because I love underground Hip Hop but it seems to be dying from the scene. I often say I’m confused about what type of music to make: what’s on the radio or what I love. This Jazz special has brought to light that if you stick to what you love, it will love you back in the long run. This jazz special is Hip Hop before Hip Hop was born. It speaks of the same issues: commercialism, different genres, the best and who the public makes out to be the nest. Hip Hop is a mirror image of Jazz music. And this lets me know that Hip Hop still has a long run ahead. The special is in the 30s, and it hasn’t gotten to the 50s with Charlie “Bird” Parker, Miles Davis, and Dizzy Gillespie yet, who were legends in their time. I just got to New York a year and a half ago. I got time to become a legend in my own right. The Jazz Show has shown me that if nothing else, I just need to work a little harder and do what I love, not what I think everybody else is gonna love.

Jrnl Entry No. 10.20.2000

The year 2000 has come and is just about gone. I have sat and looked at everyone living their dreams and accomplishing their goal. Suga Shane Moseley, Marion Jones, Maurice Green, David Justice, Lenny Krazleburg, DMX, Rock Wilder, etc. I look at these people, happy for them that they have achieved what they wanted to achieve. I wonder as I look at them, how did they achieve it? Well, there seemed to be some type of forum for most of these people. Take Marion Jones for example. She decided she was going to run track instead of play basketball. She trained hard every day in practice. When national championship or Olympic trials came around, due to her training, she won the necessary races, and boom, she’s a star. In the Olympics, she won gold in the 100 meter sprint. Now endorsements will come her way offering her millions to advertise a product. She’s set for life. David Justice, who knows when he decided to start playing baseball, but he decided some time in his life. He eventually probably played for a minor league team, and then got picked up to the majors. Now he is going to the World Series for like the third or fourth time in his career. He has hit two major home runs in his career to either win his team the World Series or get them into the World Series.

The point I’m trying to make is that for people like Marion Jones and Suga Shane Moseley, there is or was a forum for them to contend in. After so many contentions, if you win most of them, you will be the star. For me, there is really no forum that I can hop into. I want to be a Hip Hop producer. There are many Hip Hop producers out there now like DJ Premier and Pete Rock and Rock Wilder who are stars in the game. As I look at them, I wonder to myself, how did they get there? There is not a place where producer can go and play their beats against other producer’s beats, and whoever is judged to be the best gets to produce a song on an album that is sure to go platinum, and net you, at the least, depending on your deal, $80,000.

I’ve heard that in this forum of Hip Hop artist and producers that you have to know somebody in order to get in. If you know nobody, how do you get to know somebody? Everybody you meet, like I met Dazon of Murder Inc. one night at Club Cheetah; if I’d told him I was a producer, he would have paid no attention to that. How, how, how is my question. I can make the hottest song of this century, but if I know no one to get it into the ears of someone connected in the music industry, my song is useless. It’s not the same as for a basketball player who starts in Jr. High School, then plays in High School, then to college. If he has built his skills to perfection, he has a chance at getting picked to play in the NBA. All while he is in college he is watched by NBA scouts who will either get him picked in the NBA, or if he is no good, he won’t be picked.

Some may think I want this Hip Hop thing to happen overnight for me. I’ve told the story of my Hip Hop yearning which started 13 years ago. I’ve got Demo tapes. I’ve been producing beats in my head for years with no outlet to get them into real sound form. Now I have equipment to make the beats in my head real. Now I’m in New York where everything happens, but where do I go from here? There used to be a lyricist lounge spot in the early 90s where MCs could showcase their talent. A few MCs like Mos Def, Rah Digga, Talib Kweli have come to be where they are today because of this forum. Now there seems to be no forum especially for underground Hip Hop. The industry is killing underground Hip Hop, which is what I have loved from the beginning of my interest in this shit. Now, if you don’t sell a million or 500,000 with your first album, the label drops you. Back in the 80s, MCs like Kool G Rap and the Gangstarr group had 3 albums, none of which sold gold, but they were still in the game with a recording contract.

So the market for my production is getting slimmer and slimmer by the day and year. No one wants to give a new comer a chance. That seems to be the way it is but yet in still, it is not that way. How did MCs like Roc Marciano get into the Flipmode Squad? How did the producer Jay Dee get to be doing songs for and a part of a production team with A Tribe Called Quest? How did the MC Consequence get to be featured on A Tribe Called Quest Beats Rhymes and Life album? That was also the album that featured Jay Dee as a producer, so maybe Tribe just said “we are gonna let others shine on this album.”

To me it seems to be luck of the draw. I don’t know where to go to meet MCs or producers or artist for that matter to showcase my skills. Everybody says go to the Fat Beats store in the village. This place is a record store, not a lounge or a club. I went there one Saturday and I met two producers. I got their numbers and called one of them, but he never returned my call.

I’m thinking of starting a Bonny and Clyde group, or a group of girls because the industry has nothing like that. But even if I start this group, how will we get in with the industry or showcase our skills? How do I find a manager? I guess I could start asking people these questions. And maybe that is the key, a manager. Pay someone 20% of what I make because I know no one and they know everyone or someone who I’ll maybe never have a chance of knowing that could get one of my songs out to be heard by the people. There could be a chance that I could do it by myself, but I think that chance is very slim. You hand people a Demo tape of you, and they never listen to it, or they never get back to you.

Maybe my stuff is no good enough. I don’t know. All I do know is that this situation is depressing me. But I’m stuck because I believe in myself and I don’t want to go anywhere else. I believe it can happen because it has happened for so many people: Teddy Riley, Pete Rock, Premier, GURU, DJ Mark The 45 King, Marley Marl, DJ Clue. Wait a god damn minute; all the people accept for two are life-long New York residence. I’m from Ohio. Maybe that is the problem. Maybe there is no problem at all. I’m searchin’ for answers. I’m searching for direction in this journey; peace of mind with it.

Try god, is what you say huh? I tried him when I was younger. I prayed so long, I became an atheist. I prayed and prayed for a record contract, but still to this day, I have seen no record contract nowhere in sight. Jay Z confessed that he was a criminal before he became a star. But yet in still, he became a star. I’ve been a fairly good boy all my life, and I have not received one big dream. Well, maybe one, which was to get a Honda scooter when I was 13 years old. I got it and that was probably one of the happiest moments of my life before my daughter was born. Janelle being born was a happy moment which has turned grim because I have to go to court to see her like I want.

I guess I have been blessed as people say. I’ve been blessed with a college education, a job, a new car, my dream of living in New York. Well, let’s back up a moment. My dream was never really to live here, my dream was to be here to get into Hip Hop. Hip Hop is my dream, not New York. I wanted to come to New York but if there was no Hip Hop, I don’t think I’d be here, or would have wanted to come here. Hip Hop is what made me take my first trip here, not New York just in itself. I’m searching for Hip Hop but is seems hard to find. The Hip Hop I’m searching for seems to have died, and now a new species is being born, well, is born.

All I want is to have a song on an album and get paid a royalty for it. I don’t want to be the top hit maker, or the highest paid for that matter. I just want to be a part of albums coming out on labels, and get paid a fair amount in the form or a royalty check every quarter. That seems not too much to ask, or that it shouldn’t be that hard to accomplish. But this industry is selfish, and doesn’t seem to want to let anyone in unless it’s a crime partner or brother or close friend. I’ma make my mark somewhere in this shit. SOMEWHERE!